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The change of dispositif in cinematographic, photographic or sculptural installations is also a key theme in the works of the artists invited to contribute to this issue. Mark Leckey’s “Cinema-in-the-Round” picture series developed for Camera Austria goes back to his contribution to the “Kinomuseum” series curated by Ian White at the 2007 Oberhausen Short Film Festival. Instead of the required film programme, Leckey set out there to explore his subjective reactions to certain films (or images and objects) and to look into the phenomenological questions raised by the tricky transition from the two-dimensional picture to the three-dimensional object, or from the still to the moving picture. Kirsty Bell focuses on this complex film oeuvre in her contribution.
The change of dispositif in cinematographic, photographic or sculptural installations is also a key theme in the works of the artists invited to contribute to this issue. Mark Leckey’s “Cinema-in-the-Round” picture series developed for Camera Austria goes back to his contribution to the “Kinomuseum” series curated by Ian White at the 2007 Oberhausen Short Film Festival. Instead of the required film programme, Leckey set out there to explore his subjective reactions to certain films (or images and objects) and to look into the phenomenological questions raised by the tricky transition from the two-dimensional picture to the three-dimensional object, or from the still to the moving picture. Kirsty Bell focuses on this complex film oeuvre in her contribution.
